Post 49: A Harridan’s Tale

The teenager jumped with such enthusiasm that she leaped over the coffee table sitting in front of the couch she sat on. 

“You mean leave? Hell yeah, man! My grandma’s being a class six hundred sixty-six bitch right now.” She grabbed her backpack. “Come this way can leave without anyone seeing us.”

On the sidewalk in front of her grandmother’s house, the green-haired teen told the artist, “So where do you want to go? My other grandma and my grandpa live over in Modesto. I’d go visit them, but I’m supposed to be back at the harpy’s house by nine this evening or else I’ll get in trouble, and you probably guessed that it won’t be fun.”

The artist laughed. “The harpy, you say? That’s funny. I get it,” the painter said, “You can’t get a break, can you? Hey, you wanna see my studio? Believe it or not, I live at my mom’s house. I live in the mother-in-law unit in her backyard and that’s where I have my studio too. Come on. My car is over there across the street.”

They had a nice time visiting the artist’s home and studio. The artist sometimes worked as a substitute teacher in Modesto and nearby Ceres until she had enough to pay rent to her mother and cover her other expenses. She earned the Bachelor of Fine Arts (BFA) degree from Cal State Stanislaus, and studied privately with renowned painter Edward Percival “Percy” Burgess. 

On the way back to the harpy’s house, the conversation turned to music. 

“Lately, I’ve been listening to rap from the early days, the 1980s and 1990s because they seemed focused on telling a story, you know,” the artist told the girl, but “I also listen to this guy who calls himself Gibberish Maximus sometimes.”

“Gibberish Maximus? Really? Have you heard ‘Scannaramma?’ That piece is crazy!”

“Oh, yeah, that’s the one where he calls himself Fubont, right? I also like the Chicken Butt one, the Naughty Boy.”